Nokta is an abstract film project which is an improvisation of organic pieces.
Nokta . from Onur Senturk on Vimeo.
Updates from March, 2010
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kirsten
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Noisia - Machine Gun
Nautic3l
Sweet track+vid by Noisia (also known from De Huilende Rappers). Piraatjes 4 life, Bitch!!
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Exit Through The Gift Shop - A Banksy Film
Niekname
The rumors are indeed true. Banksy’s first film will premier to the public for the first time at the Sundance Film Festival. We’ve seen it and, yes, it’s absolutely brilliant.
Official Site: http://banksyfilm.com/
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Nexus One unboxing, Ninja Style
Nautic3l
Patrick Boivin is at it again, with a brutal unboxing of Google’s Nexus OneW by Ninjas. And remember boys and girls, Ninjas and Pirates agree: Cowboys suck!
Via Engadget
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Producing Transmedia Experiences
Nautic3l
MITW is at it again with their Futures of Entertainment 4 Conference. They had a real interesting panel discussing Producing Transmedia Experiences: Stories in a Cross-Platform World. If you are the slightest interested in storytelling in it’s broadest form, this a must see!
The duration of the whole discussion is about 2 hours, but worth every minute of it.
As the production of transmedia experiences becomes more commonplace, this panel seeks to pick apart some of the tensions emerging around transmedia as creative practice. As a narrative form, what is transmedia anyway? How can we keep it from being more than a shorthand excuse for multi- or cross-platform narratives? Is it anything more than that? Need it be?
Focussing around a series of case-studies, this panel digs into questions around genre, interactivity, and franchising? Are there certain genre constraints to transmedia narratives, particular genres — science fiction, drama — better suited to become transmedia properties than others? What might a transmedia event built around a romantic comedy look like? What role does interactivity play in transmedia narratives? Can transmedia narratives be satisfying simply by distributing their narrative in lots of forms, or does an “effective” transmedia narrative require opportunities for the audience to “participate” in a more active way than simply interpreting and discussing amongst themselves? Does transmedia require room for the audience to take a narrative in their own directions?
Moderator: Jason Mittell – Middlebury College
Panelists: Brian Clark – Partner and CEO, GMD Studios; Michael Monello – Co-Founder & Creative Director,Campfire; Derek Johnson – University of North Texas; Victoria Jaye – Acting Head of Fiction & Entertainment Multiplatform Commissioning, BBC; Patricia Handschiegel – Serial Entrepeneur, Founder of Stylediary.netVia Campfire
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Recycle 2: The Blair Witch Project
Nautic3l
Telling the story of the Blair Witch
While doing some research I stumbled upon The Blair Witch ProjectW documentary. Still amazing to see how they used the internet and a documentary to give more depth to the story and the characters of The Blair Witch project (1999). Inspiring stuff considering it is almost more then 10 years ago the movie was released. Enjoy!
I can’t embed the documentary so here are the links:
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Recycle 1: Eyedentity
Nautic3l
A shameless selfplug, but here is the documentary about the project Eyedentity, in which some of us here played a role in somehow :). Enjoy!
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Slow and low that is the Tempo
Niekname
Black Bones from Rhett Dashwood on Vimeo.
