Heel interessante artikelen, tips en binnenkort een conference in NY:
Updates from March, 2010
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99%
kirsten
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Minority Report one step closer
Nautic3l
It is called g-speak spatial operating environment and developed by Oblong. One of the founders was a science advisor on Minority ReportW. Drool is go!
g-speak overview 1828121108 from john underkoffler on Vimeo.
oblong’s tamper system 1801011309 from john underkoffler on Vimeo.
Via 9t05mac
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Bytejacker at Blip Festival
Nautic3l
The new Revision 3W show about independent games, Bytejacker, was at the Blip FestivalW 2009. So if you like ChiptuneW music and interviews with independent game developers like Adam Saltsman, the maker of Canabalt, check out the vids below.
Part 1:
Part 2:
Via Revision 3
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Nexus One unboxing, Ninja Style
Nautic3l
Patrick Boivin is at it again, with a brutal unboxing of Google’s Nexus OneW by Ninjas. And remember boys and girls, Ninjas and Pirates agree: Cowboys suck!
Via Engadget
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Graffiti Markup Language
Nautic3l
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Producing Transmedia Experiences
Nautic3l
MITW is at it again with their Futures of Entertainment 4 Conference. They had a real interesting panel discussing Producing Transmedia Experiences: Stories in a Cross-Platform World. If you are the slightest interested in storytelling in it’s broadest form, this a must see!
The duration of the whole discussion is about 2 hours, but worth every minute of it.
As the production of transmedia experiences becomes more commonplace, this panel seeks to pick apart some of the tensions emerging around transmedia as creative practice. As a narrative form, what is transmedia anyway? How can we keep it from being more than a shorthand excuse for multi- or cross-platform narratives? Is it anything more than that? Need it be?
Focussing around a series of case-studies, this panel digs into questions around genre, interactivity, and franchising? Are there certain genre constraints to transmedia narratives, particular genres — science fiction, drama — better suited to become transmedia properties than others? What might a transmedia event built around a romantic comedy look like? What role does interactivity play in transmedia narratives? Can transmedia narratives be satisfying simply by distributing their narrative in lots of forms, or does an “effective” transmedia narrative require opportunities for the audience to “participate” in a more active way than simply interpreting and discussing amongst themselves? Does transmedia require room for the audience to take a narrative in their own directions?
Moderator: Jason Mittell – Middlebury College
Panelists: Brian Clark – Partner and CEO, GMD Studios; Michael Monello – Co-Founder & Creative Director,Campfire; Derek Johnson – University of North Texas; Victoria Jaye – Acting Head of Fiction & Entertainment Multiplatform Commissioning, BBC; Patricia Handschiegel – Serial Entrepeneur, Founder of Stylediary.netVia Campfire
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Voice Gesture by Didier Brun
Nautic3l
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Recycle 2: The Blair Witch Project
Nautic3l
Telling the story of the Blair Witch
While doing some research I stumbled upon The Blair Witch ProjectW documentary. Still amazing to see how they used the internet and a documentary to give more depth to the story and the characters of The Blair Witch project (1999). Inspiring stuff considering it is almost more then 10 years ago the movie was released. Enjoy!
I can’t embed the documentary so here are the links:
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Watch your clock
Nautic3l
DeRus en Vas - Klokkijken
Via Gamekings
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Iezy coms, Iezy goez, bishmila...
Nautic3l
The MuppetsW doing Bohemian RhapsodyW. Just enjoy!
Via BoingBoing
